ACQUISIRE IL SENSO DEL FRAMMENTO: GETTARSI FUORI

Sofia Remiddi

This contribution aims to investigate how there is a way of understanding fragmentation, avoiding returning to inscribing it in the suffocating mesh of its relationship with the Whole, and highlighting the link that the theme has with aesthetics and art. From this perspective, if Deleuze’s philosophy is generally characterized as a philosophy of relationships and connectivity, we would like to propose, without denying the significance of relationships and their capacity to dissolve the terms between which they pass, a passage from the other side of the tape of Möbius to examine fragmentation in its connection with the outside, from which derive both an aesthetic of chaos and consistency in the cosmos of art. This fragmentation, which is difference, then comes out of a patchwork that can restore the crystal that is Deleuze in the links with the conceptual persona and interlocutors who make up his thought.